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By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

The Movie-Movie Universe theory makes TOTAL SENSE! Kill Bill is a movie that feels like a parody without punch-lines, so - unlike most movies - while you’re watching it, you’re never NOT aware that you’re watching a movie (most films try to keep you in suspense of disbelief to immerse you in that universe) and everything is very surreal.
(via ghdos)
Posted on June 1, 2012 via Suicide Blonde with 9,852 notes
Source: suicideblonde
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A rare natural phenomenon turns one of Austria’s most beautiful hiking trails into a 10 meter-deep lake, for half the year.Located at the foot of the Hochschwab Mountains, in Tragoess, Styria, Green Lake is one of the most bizarre natural phenomena in the world. During the cold winter months, this place is almost completely dry, and used as a country park where hikers love to come and spend some time away from urban chaos. But as soon as temperatures rise, the snow and ice covering the mountaintops begin to melt, and the water pours down, filling the basin below with crystal-clear water.
Water levels go from one-two meters at most, to over 10 meters, in the early summer. The waters of Green Lake are highest in June, when this extraordinary place is invaded by divers, curious to see what a mountain park looks like underwater. Fish swimming over wooden benches, a grass-covered bottom, trees, roads, roads and even bridges create a surreal setting that feels like it belongs on dry ground. That’s because for half of the year, that’s exactly where it’s at.
(via jloveimages)
Posted on June 1, 2012 via Agent 3Z with 84,719 notes
Source: odditycentral.com
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Posted on June 1, 2012 via Idiots on Facebook! with 104,656 notes
Source: shitbloggerssay
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(via chokesngags)
Posted on June 1, 2012 via MakTub with 5,652 notes
Source: loveorlush
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Posted on June 1, 2012 via Funny Pictures with 66,606 notes
Source: funnypictures.co.uk
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Parents
WHITE PARENT:*Knock knock* May I come in?BLACK PARENT:*Boom boom* Open up this damn door! You don't pay no bills to be locking shit.Posted on June 1, 2012 via Touching Your Buttons with 506 notes
Source: touchingyourbuttons
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“Lankston Hues” man? Are y’all fucking serious? Who the fuck is that?
Posted on June 1, 2012 via DANG MAMA! with 169 notes
Source: the-parkers
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Highly addictive drug blamed for cannibal attack in Miami a growing threat
The new synthetic drug being blamed for a horrific attack in Miami in which a naked man chewed the face off of a victim in broad daylight has become popular in parts of the Maritimes and has health officials warning of the drug’s violent consequences.
U.S health authorities say bath salts popularity was noted by doctors to rise significantly throughout late 2010 and into 2011.
“Bath salts” — as the drug is known by on the streets — are much more dangerous than than the impression that their innocuous-sounding name leaves. Made with the active agent of either Methylenedioxypyrovalerone (MDVP), mephedrone or methylone, it can result in an aggressive, chaotic response in the user, combined with intense hallucinations and extreme euphoria. It has been compared to a mix of cocaine and amphetamine.
Greg Purvis, director of Addiction Services for the Pictou, Colchester East Hants and Cumberland county health authorities in northern Nova Scotia, called the drug the most dangerous new product he’s seen in his career.
“I’ve been working in addictions for 19 years … and this is the first drug which really has me concerned.” (AP Photo/The Miami Herald)(via freshest-tittymilk)
Posted on May 31, 2012 via National Post with 350 notes
Source: nationalpost
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(via freshest-tittymilk)
Posted on May 31, 2012 via •♥•Memewhore•♥• with 3,420 notes
Source: memewhore
![doctorawkward:
clownprince-of-crime:
suicideblonde:
INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
The Movie-Movie Universe theory makes TOTAL SENSE! Kill Bill is a movie that feels like a parody without punch-lines, so - unlike most movies - while you’re watching it, you’re never NOT aware that you’re watching a movie (most films try to keep you in suspense of disbelief to immerse you in that universe) and everything is very surreal.](http://25.media.tumblr.com/tumblr_m4uw9gSZmJ1qz9qooo1_500.jpg)



